I’ve been following the NBA for many years now, and most would agree that the NBA is one of the most savvy organisations when it comes to using digital media.
While most content-producers are afraid of piracy, the NBA Youtube channel puts up high-definition highlights of games. It always astounds me how clear the videos are.
My blog layout can’t take the awesomeness of the full-size video. Do yourself a favour and watch the original size on youtube. Remember to click on the HD button.
While the NBA was arguably strict on its players’ use of Twitter, every NBA team has a twitter account from which they update fans with news and even in-game statistics.
The NBA understands one thing well - the stories are larger than the individual clips. By updating us on the small things such as scores and video highlights, we are kept intrigued by large story-arcs: whether the draft class of Lebron James, Dwayne Wade and Carmelo Anthony will continue to dazzle; whether CP3 will bring back the dominance of the little man; or whether the global game will change the way basketball is played in the NBA.
So when Bono advocates content tracking over the internet for policing of copyright violations, he comes across as trying so hard to protect an industry that should probably relook its entire product offering. Bear in mind that Bono made a lot of money from tours. His fans buy into his story, and the experience of a live concert. Those things aren’t going to be replaced by youtube clips anytime soon.
Perhaps it’s time for the music-makers and storytellers to go back to basics. They sure could learn from travelling musician Josh Wilson who lifted the spirits of passengers stranded at Newark during the lockdown.
Maybe the communal sharing of stories and music should take precedence over people making grotesque amounts of money.


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